Recorded at Emeline Studios by Ian Sadler. Released via Fox Records on Friday 4 May 2018.
Layover (or as they prefer—the all-lowercase—layover) are an emo pop-punk band from Birmingham, England (UK) with an ear for light, jangly pop punk songs.
Founded in 2014, their early compositions had a “very DIY” feel to it. The band took 2016 off and reinvented themselves, emerging with both a new energy and more mature sound.
The result is an EP of rather American-sounding pop punk songs (think Tiny Moving Parts from Minnesota, and Tigers Jaw and The Wonder Years from Pennsylvania) addressing topics such as mental health, loss, sensitivity and sincerity.
With jangly guitars, bouncing bass and halftime drums, and emotional, passionately sung lyrics, EP opener “Hunger pains” (track 1) was the first song written during writing sessions for this release. As such it is probably the track that most closely resembles a perfect crossover from Layover’s old and new sounds. It is pure emo pop-punk with lyrics to match:
“On the day that you told me you finally saw me at my lowest. I’d never want you to know just how much I was hurting ’cause it’s nothing compared to what you’re facing. You’d never want it to show.”
The track slows down about two-thirds of the way in for a gentler, arpeggio-driven middle-eight before returning to its original tempo to take the song to its lamentful conclusion, “I’m a shadow of the person that’s never coming back”.
As the title suggests, “Coffee and fluoxetine” (track 2) addresses mental health. “Do you remember when we both discussed the way my head makes me see the bad in everything?” Rainsford sings. And later, “You said ‘take care of yourself and put your mental health first”. Rhythmically the song dances around, changing tempo, flipping between chords and arpeggios. It’s a surprisingly upbeat and jolly song for one that seemingly explores feeling let down by someone leaving you while you are at your lowest. And then suddenly. It ends.
The shortest track on the EP, “Hollow me out” (track 3) hits the ground running with a hop and a skip of a riff. “I feel so uncomfortable in my own skin” sings Rainsford, and the music fidgets and dances about in sympathy. The track slows down for a few bars while he ponders, “I’d be lying through my coffee stained teeth if I told you I was hopeful or happy.” And then they’re back up to pace, jittering to the end of the track.
Track 4, “Slumber” opens with a simple, reflective and gentle melody. This is my favourite track on the EP. It has dynamics, it has passion, and an almost tangible vulnerability, a wistful melancholy.
With many songs you can read your own meaning into the lyrics, place your own story within the narrative. The song is an open letter to his late mother, about the night he was told over the phone that she had died. For me, when I first heard it, it spoke of the love that had slipped away—that missed opportunity.
It’s a beautiful, almost haunting song that stayed with me for hours after listening to it.
The final track on the EP, “Your laughter never leaves” (track 5) is built around a riff that initially alternately gallops and chimes before it morphs and evolves into a driving, almost progressive track that pieces together everything from the previous four songs: it has space and depth, crashing chords and delicate arpeggios, and vocals that are variously quiet and passionately loud. It’s the perfect note on which to end the EP.
This release is a perfect example of why I insist on listening, where possible, to a release at least three times. On my first listen through I dismissed it as just another pop-punk American-influenced emo release. But delving deeper into it, taking my time to listen more carefully to each song and read through the lyrics I found myself relating to the lyrics and appreciating the musical nuances of each track. On each listen I heard new layers of instrumentation and appreciated more the song writing. I’m already looking forward to hearing what they will write next.
This is an EP that if you give it some careful attention it will give you back a lot more than you initially expect. Dismiss it as just another disposable emo pop-punk release at your peril: there is a depth to these five songs that will gently get under your skin.
Review score: 85%
I kindly received this EP to review from Inception Press, an artist-friendly, UK-based, independent, alternative music publicity and management agency. I didn’t get paid for this review but I do get to the keep the EP. I am not linked to either Layover or Inception Press.