KLOGR release their third studio album ‘Keystone’ (mixed by Grammy winning producer David Bottrill (Stone Sour, Muse, Rush, Tool and more) on Friday 6 October 2017 via Zeta Factory (distributed in the UK/Europe by PHD).
The artwork is a piece of a painting by renowned Italian artist, Andrea Saltini.
Keystone is the third album from Italian-American band Klogr (pronounced Kay-logger). A band that I’d never heard of until now, but isn’t that the joy of this project.
Musically, the band sits somewhere between alternative rock and alternative metal. The album is very nicely produced and mixed. It has a warm, full sound that suits the melodic arrangements. The guitars are heavy without sounding harsh.
When you listen to album for the first few listens, if you’re anything like me then you’ll try to reach for comparisons. The album reminds me in part of Stone Sour fused with Freak Kitchen with a little Seven7 thrown in for good measure.
The album opens with what sounds like the start of the Star Trek theme tune, but accompanied by a children’s plinky piano. (“Sleeping through the seasons”, track 1) Then the guitars introduce a chug-chug-chug-chug riff. It’s catchy and melodic.
And so the album continues. “Prison of light” (track 2) features a nice ascending riff; “Technocracy” (track 3) is a fast-paced track with a twisting-turning riff; “The echoes of sin” (track 4) has a Dream Theater vibe to it; “Pride before the fall” (track 5) sounds a bit like a slowed-down “Technocracy”.
For me, the stand-out track is “Something’s in the air” (track 6). It’s a mid-paced, chugging rock track with a beautifully heavy, slide-y riff. I could listen to it all day. It’s heavy, it’s melodic, it’s interesting and varied. Brilliant stuff!
“Drag you back” (track 7) is built around a fluttering riff; “Sirens’ song” (track 8) is a short track that sounds like it was recorded underwater, and leads beautifully into “Dark tides” (track 9) which has an ’80s metal ballad feel to it.
“Silent witness” (track 10) opens with a bass riff that gives way to a complex guitar riff, that changes directions. Every. Few seconds. “Enigmatic smile” probably has the most metal riff on the album but gives way to a melodic rock track.
The album plays out to “The wall of illusion” which probably encompasses everything that Klogr have thrown at us so far in this album.
And then it ends.
To be honest, there is little to criticize the album for. Some of the songs do begin to sound a little bit same-y as you progress through the album, but that would only really become a problem if the songs weren’t great. And these are really good songs. There is more than a little prog influence contained in the tracks on this album, and that is also a good thing. The songs have dynamics, and a shape, that each tell a musical story.
I really like this album. I can see myself returning to it again and again.
What more could you ask for from a piece of music?
Review score: 85%