70%
Twin Obscenity—For Blood, Honour and Soil (1998)
Details
Recorded and mixed at Sound Suite Studio from May to June 1998. Produced by Atle Wiig, Knut Naesje and Jo Arlid Toennessen. Engineered by Terje Refsnes. Mixed by Terje Refsnes and Twin Obsenity. Mastered at DMS, Marl, Germany.
Band
- Atle Wiig—Vocals and guitars
- Jo Arlid Toennessen—Bass
- Knut Naesje—Drums
Guest musicians
- Mona Undheim Skottene—Keyboards and vocals
- Alexander Twiss—Guitars
Tracks
- In glorious strife
- The usurper’s throne
- For blood, honour and soil
- Upon the morning field
- The wanderer
- Riders of the Imperial guard
- The thrice-damned legions
- The 11th hour
- Lain to rest by the sword
Review
Well, here it is… four and a quarter years after I began this project I’m staring at the cover of the final CD: For Blood, Honour and Soil the second of three albums by Norwegian black/pagan/death metallers Twin Obscenity.
I can’t quite put my finger on it, but this album isn’t your usual black metal release. It’s strangely melodic, and has echoes of Celtic Frost’s early work, with avante garde flourishes and female vocals weaving in and out of the riffs and solos. The guitars are strummed quickly, the drums beat and crash at a m, and the bass rumbles beneath it all. The album is dark but grand, melodic but atonal in places (there are a few solos like this), and keyboards gentle tinkle a haunting melody.
Melodic black metal isn’t really my thing, so to me this isn’t a great album, but it is played with passion and conviction. I can see why someone might really enjoy this.
Conclusion
I had hoped for an outstanding album to be my last review of this collection of CDs. But I guess you can’t have everything (I mean, where would you put it!—Steven Wright). If I was played my albums on random and this one came on then I certainly wouldn’t skip it, I’m just not certain that I’d go hunt it out.
Review score: 70%