Recorded and mixed by S. Vrath at Pulse and NLE Studios between7 December 2006 and 7 May 2007.
England isn’t particularly renowned for its death metal bands. Scythian appear to have come to put a stop to all of that. And to be fair, given that this is only their demo (they have since been signed to a label) they did a pretty decent job of it.
On Encyclopaedia Metallum this release received two reviews, both gave it 100%. What did I think about it, well, a little history first, I think.
The Scythians were a nomadic tribe of Iranian Eurasians who dominated the central European steppes (from modern Czech Republic in the west to central China and south Siberia in the east) from around the 9th to the first centuries BC. They were amongst the earliest peoples to master mounted warfare.
As a demo this is an impressive release. The production is great, it doesn’t sound too tinny (which is my biggest criticism about many a metal album), there is a depth to the sound and enough bass to get a sense of how powerful they might sound live.
“Astral assassins” (track 1) opens with an eerie soundscape for 50 seconds before launching into a fabulous double-kick-drum-led riff. However, no sooner had I uttered the words “Oh… I like that” out loud, the band hit the Tasmanian Devil button and they upped the pace and went all-out thrash-style mental on the track. They bring the pace back to that opening riff about three and a half minutes in, and that’s where I think they are best and the heaviest. I like fast, thrashy music. But in those few moments they sound heavier and nastier than almost anything I’ve ever heard.
“Shattered idols” (track 2). Ah, good! They’ve been listening. It opens with a doom-like riff that chugs away at the bottom end, and then… no! They’ve done it again. Someone has flicked the switch from 33 to 45 rpm. For the majority of the song, however, they play around riff that grinds away like some kind of underground drill boring through granite.
And so the rest of the demo goes with Scythian morphing from thrashing moments of breakneck speed to ponderously heavy moments of doom-laden riff upon bouncing doom-laden riff. The music sounds like a fusion of death, thrash, black and doom metal. And for the most part it really works.
The final track is a cover of black metal Bathory‘s “Holocaust” (from their Blood Fire Death album, 1988). It has an authentic early thrash/black metal production to it, which is nice, with the bass levels rolled back a bit.
Overall, I enjoyed this. It doesn’t quite the spot for me but there are some brilliant moments that genuinely made me smile when I heard them for the first time. I’d certainly be interested to check out their newer material on Bandcamp.
Review score: 80%