Mixed, mastered and brutalized by Stu McKan and Jamie Graham. Recorded at Studio 6, Wooton Bassett, England. Released on Thirty Days of Night Records in 2005.
It feels like an age since I’ve mentioned CD packaging, so let’s start there. The front cover, as you can see from above, features a very beige-dominant mediaeval battle scene; assuming that the crusaders fought armies of skeletons. I wouldn’t be surprised if there was more than a little Tolkien influence here with his armies of the dead from The Lord of the Rings.
What I really like, though is the booklet which has the feel of a stylised Book of Kells, like an illuminated manuscript from the Middle Ages. The first five pages contain song lyrics, resplendent in a thankfully-readable Old English style typeface; the last page lists thanks.
Of course, the booklet looks more like a ye olde gospel than a hymn book but we’ll let that one pass. It does look fab and it’s nice to see the band putting in some thought about the packaging. It’s just a shame that (and this is obviously entirely subjective) the art quality in the cover doesn’t match that of the booklet. It would have been great to have the two tie-in much more than they do.
Anyway, it’s the music we’re really interested in.
Raise the Dead were a thrash / death / metalcore band from London/Peterborough between 2004 and 2006. They released only two records in their three years: a three-track demo, Famous Last Words, in September 2004 and this six track EP in December 2005. The only common track was “Warcraft”.
The album opens with an atmospheric track (“Prelude to war”) of monastic chant interrupted from time to time by peals of thunder and a continuously ringing bell. When the chanting ends, footsteps lead to a single note, more thunder and the gentle growl of who knows what monster.
“Zone of magical immunity” (track 2) is a fast paced death metal song. The guitars have a pleasing overdriven tone, double-kick drums underpin the rhythm and Dean of the Dead’s guttural vocals sound terrifically meaty—it’s not just uncontrolled screaming. There are certainly enough dynamics within the song to hold interest. It almost has a progressive metal feel to it.
“Warcraft” (track 3) offers more of the same, the whole song built around a very death metal lead guitar riff. Towards the end the track slows right down into an almost sludge metal-style riff. Curiously track 4, “The curse of years”, follows exactly the same recipe right down to the sludge style stomp towards the close.
“Sea of dead souls” (track 5) opens with a very Annihilator-style arpeggio riff that reappears throughout the song. Thankfully this song closes differently with a very Slayer-like screaming and diving solo: fast and tight right to the end.
The closing song, “Cloak of mist” (track 6) is perhaps the most death metal song on the EP, both musically and lyrically. It’s a study in hatred. “Hate is a strong word / but I feel it for you / I should have buried you in a ditch / the day you were born”.
“Cloak of mist” is probably the strongest song on the album and I can’t help wondering if it indicates the direction that Raise the Dead would have taken had they not split nearly ten years ago. Perhaps we’ll never know.
All in all, this was a pretty solid debut EP from a UK extreme metal band. I really can’t help feel anything but admiration for the band and the recording. It’s by no means perfect but it is pretty darn good none-the-less. They certainly showed promise. Wherever you are now guys, I raise a glass to you—I can’t quite manage raising the dead.
Review score: 85%