Released on At War With False Noise Records, 2009. Limited to 500 copies.
More experimental, ambient drone.
The packaging is curious. It comes with, what the record label refers to as “reverse art”, so the front cover is on the back, and vice versa.
Both experimental artists Noma (John Comar) and Rejectamenta (Adam Cresser) hail from Glasgow
The record label described Noma’s contributions to this split release thus:
He takes on two tracks here, the first is a slowly-building tone-fest. Very ambient, and hauntingly beautiful…bascially what Noma does best. Next track “Amusia” is a little atypical of what most people will expect. Imposing thuds are interjected by what sounds like some form of screeching metallic machine being thrown down some stairs, electronic blasts. Surreal, bizarre, unpredictable….very Noma.
Rejectamenta’s solitary track represents only his second ever release. The track here “SSilence” is a follow up to “SServant”. This is clearly not a silent track. It is, to quote the press release, 33 minutes of a “total overload of a billion circuit-bent instruments all melded together into one massive orchestral binary cacophany”
There is something intriguing about these sounds. But I’m not sure I’d choose to listen to this terribly often. But it is quite grand, like a soundscape.
Review score: 60%